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Even though it was early October, the climate was like a sweltering desert. This was one of the only times Hitch wore short sleeves on the set. For three days, poor Cary ran with a stunt plane swooping down at him or so it would seem. As nobody would think of putting Cary Grant in the position of getting decapitated by a plane some trick photography was used. I feel like a traitor telling you this but first the crew shot a swooping plane from a ditch and then, later, Cary was shot on a sound stage jumping into a fake ditch with the plane footage on a process screen behind him. —Eva Marie Saint

 

Even though it was early October, the climate was like a sweltering desert. This was one of the only times Hitch wore short sleeves on the set. For three days, poor Cary ran with a stunt plane swooping down at him or so it would seem. As nobody would think of putting Cary Grant in the position of getting decapitated by a plane some trick photography was used. I feel like a traitor telling you this but first the crew shot a swooping plane from a ditch and then, later, Cary was shot on a sound stage jumping into a fake ditch with the plane footage on a process screen behind him. —Eva Marie Saint

 

Loves of a Cyclops (Online Premiere) directed by Nathan Punwar NoBudge.com.

 

Hands of Bresson, a visual essay on the tactile world of Robert Bresson created for the Criterion Collection by kogonada. Music: Schubert, Piano Sonata No. 20, D. 959 (used in Bresson’s Au Hasard Balthazar ).

 

Amesbury, UK in 1974: Stanley Kubrick with his daughter Vivian, a day off from shooting Barry Lyndon.  

 

‘A Streetcar Named Desire’ exhibitor manual, Warner Bros. [pdf].

Here is a great documentary titled ‘Elia Kazan, Outsider’ (1982). “In this documentary on director Elia Kazan, his views on his life and oeuvre are brought forward through a long interview conducted by Michel Ciment, by a talk with Robert De Niro, and by clips from his movies ‘America, America and ‘Baby Doll.’ Although his interview is long, Kazan does not probe too deeply into his methodology or some of the more critical moments of his life, or why he had not worked on many projects in the years before this interview.” —Eleanor Mannikka, Rovi

 

La Pareja de los 80

 

La Pareja de los 80